![]() Irrespective of the industry, medium, style, and your work output – digital, print, or video.Īnd the number one reason for that is that Adobe Illustrator is a vector graphics editor. Why Design a Logo in Adobe Illustrator?Īlthough Adobe suite also contains the fantastic design and editing software, Adobe Photoshop, it is Illustrator with its user-friendly experience that is the favorite choice for designing logos. Sit back, relax and enjoy the ride through this simple logo tutorial on how to design a logo using Illustrator to help boost the product sales of your brand as you’ve always wanted. A beginner in a logo design project or not, this blog post will guide you through the best steps and the necessary details you need to know to design the best logo project for your brand. You may think this is much work if this is your first time, but you don’t have to worry about it. ![]() There are a few ways one can create a logo design, but the best method followed by designers worldwide is using Adobe Illustrator. You usually see it on signposts, social media posts, website posts, advertisement videos, business cards, and other marketing material. A logo plays a critical part in the brand’s identity. It grants you the capability to relate and communicate with your target audience through your choice of color, basic shapes, size, and even font selection of your texts. And given their flexible positioning, logos are used on pamphlets, advertisements, business cards, t-shirts, and everything associated with a brand.Ī logo design is an essential part of a business’s brand building. The frame was removed and the square got its angles rounded, while the color palette became one shade lighter again - the background became dark brown, and the wordmark - light orange.A logo is the most crucial design people use to identify a business, brand, or organization. The lines of the “Ai” lettering became bolder in 2020. ![]() The black and orange palette of the framed square with a simple yet elegant inscription looked bright and powerful showing the professionalism and expertise of the software. 2015Īll gradients were gone and the emblem became absolutely flat in 2015. The color palette got darker and now it was composed of an intense orange and black, with a slight gradient on the upper left part of the square. The frame became thinner as well as the lines of the letters in 2013. Now the “Ai” wordmark in gradient orange was placed in a dark brown square in a thick frame, which repeated the colors of the inscription. The orange gradient became a little darker, while the lettering gained a new honey shade, keeping the typeface almost unchanged, just the vertical bar of the lowercase “I” was slightly emboldened. The typeface was also refined, and now the inscription featured bolder lines, a small playful tail of the “A” and a massive solid dot above the “I”. The white lettering was replaced by black in 28. The redesign of 2007 introduced a laconic and contemporary version of the Illustrator logo, composed of a gradient orange square with a white sand-serif “Ai” lettering on it. The new color palette aimed to represent the creativity and the artistic side of the software. It was also moved from right to the left, taking more space from the white square. The pink flower was changed to a yellow and orange one in 2005. It was a bright, tender, and elegant image, which reflected the purpose of the software. The new Illustrator emblem featured a plain white square with a fuchsia three-dimensional flower placed on its upper-right part. The portrait was replaced by a flower in 2003. The Adobe logotype in light gray was placed in the bottom left corner of the emblem. The hair of the goddess is now spread upright and come out of the square frame of the icon. The Venus becomes colored and gets its contours defined in 2001. The portrait was executed in monochrome and enclosed in a double yellow and black square frame. The logo from 1997 introduced a portrait of the Venus from the famous Botticelli painting, as the main symbol of the software. The image was executed in a monochrome palette and looked elegant and timeless. Now it was an image of the lady’s face, overlapped by a white banner with the purple letter “A” on it. The dots in the sickle around the letter “A” turned into square pixels and got their gray shadows. The purple was switched to deep blue, and the bold white “4” replaced the “3”, celebrating the new version of the software. The lines of the icon became stronger in 1992. Now it was a more italicized and bold black “A”, enclosed in a fuchsia circle, composed of numerous solid dots, a bold purple rectangle with the white “3” in the bottom right corner, and a purple triangle, placed in the upper left corner, to balance the image. With the software version 3.0, the logo was refined and its color palette gained new shades.
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